Michael ways to make a lot of money kenna

Michael kenna comes alive in the hours when most are ways to make a lot of money sleeping, in places time has not forgotten. Treading between night and dawn- he captures the soul of crepuscular light. He creates images that fall somewhere between seeing, feeling and reason; painting with light a world at peace without humans. His landscapes elicit calm or grief, meditation or mystery. In both horizon and foreground he reveals the grammer of ways to make a lot of money nature’s beauty and melancholia in ways the naked eye would ways to make a lot of money easily miss. There is no mistaking authorship of his photographs, they all bear the stamp of his unique, and poetic vision.

When I was almost eleven years old I went to ways to make a lot of money a catholic seminary boarding school in england, to study to become a priest. I would stay there for seven years. In retrospect, the education was excellent, but the “career guidance” was pretty much non existent – it was a one track vocation school and prior to ways to make a lot of money graduation I realized the priesthood was not for me. Fortunately, I was pretty good at painting and when it came ways to make a lot of money time to decide what to do after final exams, an art school seemed the natural choice. It was while I was attending the banbury school of ways to make a lot of money art in oxfordshire, that I discovered photography. I knew that I needed a profession where I could ways to make a lot of money make a living and painting wouldn’t have provided enough security. I felt that commercial photography could help me survive financially, landscape photography could be my hobby as well as a ways to make a lot of money means of self expression. Of course this seems clearer with hindsight. Anyway, I mailed in applications for some photography courses and also ways to make a lot of money some in graphic design. I was accepted into a photography course first and didn’t bother showing up for any other interviews.

As a kid I was quite solitary, content for the most part with making up my own ways to make a lot of money adventures and acting them out in the parks and streets ways to make a lot of money of the small industrial town in which I grew up. I liked to wander around in train stations and factories, on rugby grounds and canal towpaths, and in empty churches and graveyards – all locations that I would later find interesting to photograph. Even though I did not use a camera at the ways to make a lot of money time, I suspect this period was ultimately more influential on my ways to make a lot of money photography than the time spent in art school.

The photographer ruth bernhard used to tell me that this ways to make a lot of money is like asking somebody how they evolved their signature. It is not something I’ve ever worked on consciously. I think style is just the end result of personal ways to make a lot of money experience. It would be problematic for me to photograph in another ways to make a lot of money style. I’m drawn to places and subject matter that have personal ways to make a lot of money connections for me and I photograph in a way that ways to make a lot of money seems right. Where does it all come from, who knows?

I used to only photograph in the early morning. I like the calm and peacefulness of the waking hours. There are usually few people around and there isn’t a constant annoying chatter in the air. Morning light is often soft and diffused. It can reduce a cluttered background to graduated layers of ways to make a lot of money two-dimensional tone. A facet of my work is about trying to simplify ways to make a lot of money and slow down this fast-paced, chaotic mess we live in. I still like the dawn more than any other time ways to make a lot of money of the day or night, but now I photograph at all hours.

Photographing at night can be fascinating because we lose some ways to make a lot of money of the control over what happens in front of the ways to make a lot of money camera. Over a period of time the world changes; rivers flow, planes fly by, clouds pass and the earth’s position relative to the stars is different. This accumulation of time and events, impossible for the human eye to take in, can be recorded on film. For the photographer, real can become surreal, which is exciting. During the day, when most photographs are made, scenes are usually viewed from the vantage-point of a fixed single light source, the sun. At night the light can come from unusual and multiple ways to make a lot of money sources. There can be deep shadows which act as catalysts for ways to make a lot of money our imagination. There is often a sense of drama, a story about to be told, secrets revealed, actors about to enter onto the stage. The night has vast potential for creativity.

The whole process is satisfying for me. I love being out at odd times of the day ways to make a lot of money and night, experiencing the world in fascinating places where I would want ways to make a lot of money to be even if I wasn’t making photographs. I love traveling and all that comes with it. I intensely dislike processing film – and fortunately there are some excellent labs around…Seeing the first proofs is always exciting, editing, making work prints, then the challenge of making final prints, even retouching the first print – all these stages are enjoyable and immensely satisfying. Then there is the exhibiting, getting reactions from others, making books, etc. Photography is immensely challenging, with a good deal of work, but I am thrilled to be a part of it.

I like to be working on three or four projects ways to make a lot of money at once, and even when these projects are supposedly finished I often ways to make a lot of money continue working on them indefinitely. Right now I am very interested in japan. Earlier this year nazraeli press published a volume of these ways to make a lot of money photographs. The production was superb – very japanese. Thank you nazraeli press. In november it will be my fiftieth birthday and as ways to make a lot of money a present to myself I will spend the month on ways to make a lot of money an 88 buddhist temple pilgrimage on the island of shikoku ways to make a lot of money in japan. I will photograph the temples en route.

This goes back to what projects I am working on. I don’t have any particular method to my madness. When I decide “what” I want to photograph, I choose the appropriate locations. Sometimes I choose “where” I want to photograph, then look for the “what” when I get there! Simple – no magic involved. I have a theory, which seems to work for me, that the best ideas come through thinking about something else! One of my hobbies is long distance running. I find there is something therapeutic and hypnotic in this ways to make a lot of money activity, similar to practicing landscape photography. While thinking about one thing, and being active at the same time, other ideas float in and out. These floating ideas usually turn out to be the catalysts ways to make a lot of money for my future projects.

I’m often asked why I don’t photograph locally and my answer usually relates to the ways to make a lot of money difficulty of being spontaneous. I like to work with no time limits, nobody watching or asking questions, no phones, etc. When I go to any location I do not know ways to make a lot of money if I will be there for five minutes or five ways to make a lot of money days. Inspiration depends on the light, the atmosphere, and what the photographer reacts to. Being creative often means following a lead, working on half chances, half thoughts, coming up to dead ends and re tracking. Being creative for me often means photographing things in ways ways to make a lot of money that might seem completely ordinary at the time but which ways to make a lot of money may turn out to be extraordinary later. The inverse happens more frequently. Creativity means being open, listening to what comes from within and without, which is very hard to do when you are looking ways to make a lot of money at your watch. It is important to be focused and concentrated, which for me usually means being solitary, away from distractions. In long distance running one talks about going into the ways to make a lot of money “zone”, a point of total concentration and relaxation, both at the same time. I think one can find this in photography and it ways to make a lot of money can be an extremely satisfying and productive state of mind.

In my photographic work I’m generally attracted to places that contain memories, history, atmospheres and stories. I’m interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities – they fire my imagination and connect into my own personal ways to make a lot of money experiences. Using the analogy of the theater, I would say that I like to photograph the empty ways to make a lot of money stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon. I have found that atmosphere in many different locations. For example, in the mid eighties I began photographing nazi concentration camps ways to make a lot of money in europe. Over a twelve year period I photographed in over thirty ways to make a lot of money camps, and I often returned to the same camps several times. In the early nineties I began a series titled “monique’s kindergarten.” I visited one kindergarten classroom at the san francisco waldorf ways to make a lot of money school, repeatedly over five years, and photographed the objects that I found there. As you can imagine, these two projects were almost polar opposites in atmosphere. On the one hand there were feelings of evil, hatred, oppression, cruelty, death, etc., on the other; optimism, beauty, innocence, happiness and life. Does it take a chameleon to work in both areas? I don’t think so. In my photography I try to be sensitive and responsive ways to make a lot of money to whoever or whatever I meet. Everything else naturally follows.

I’m not so sure that those distinctions were actually made. It could easily be argued that many of the earlier ways to make a lot of money photographers whose works are sold and traded as fine art ways to make a lot of money now, were primarily commercial photographers in their time. The photography print market is a relatively recent phenomena so ways to make a lot of money it would have been far more difficult, if not impossible, for a photographer to make a living selling prints. There are currently many practitioners of commercial photography who have ways to make a lot of money a foot in the fine art world, and vice versa. I don’t see that lines should be drawn or divisions set. Some commercial work is amazing and some fine art work ways to make a lot of money is extremely boring, but the reverse is equally true. I’ve had some fine art photographers be aghast that I ways to make a lot of money do advertising work. One of my earliest reasons to study photography was so ways to make a lot of money that I would have a marketable skill. Commercial work has given me valuable financial support to work ways to make a lot of money on very personal and uncommercial projects. But, money aside, let’s face it, commercial work can be extremely challenging, strenuous and stressful, and I like to compete in that world from time ways to make a lot of money to time.

I have already mentioned some of my optimal conditions for ways to make a lot of money creativity: solitude, quiet, no time limits, agendas or distractions, etc. Now try to picture this scenario from a recent advertising ways to make a lot of money assignment I did for mazerati. It took a full morning for a huge crane to ways to make a lot of money haul two mazerati cars onto a private yacht in the ways to make a lot of money port of genoa. Finally, after eight hours of preparation, the yacht sails out a short distance from the land ways to make a lot of money and it is time to photograph. Six walkie talkies communicate in a mixture of italian, spanish and english. My assistant and I are balanced high over the water ways to make a lot of money in a cherry picker, which breaks down repeatedly, then miraculously works again when we block in cars. A creative director on the yacht gives directions on triple ways to make a lot of money expressos. Polaroids are thrown back and forth. I am getting seasick lunging up and down on the ways to make a lot of money cherry picker photographing a moving target from a moving platform, all the time looking through the camera, trying to direct the cars, the yacht, and the cherry picker. The cars have to be photographed with a cumbersome panoramic ways to make a lot of money camera, and then close up in the same position. Union dock workers decide to have a late lunch break ways to make a lot of money in the middle of photographing. The sun is beginning to go behind buildings and time ways to make a lot of money is running out. My producer, pulling his hair out, is arguing with the crane operator, over the walkie talkies. Assembled for this production are the ships crew, the car prep people, two cranes and therefore two crane operators, with their assistants, various dock workers, the creative director, the client, the producer, the assistants, the lighting coordinator, and various others whose functions have become a vague blur ways to make a lot of money for me. Controlled chaos – the staple of creative advertising photography!

Commercial work is often a compromise between the thoughts and ways to make a lot of money ideas of the client, the advertising agency and the photographer. From time to time I have had dream jobs where ways to make a lot of money I have been given the time and freedom to photograph ways to make a lot of money what I want, when I want. It is from those jobs that I have had the ways to make a lot of money most cross over into my fine art work. At other times I have worked clos ïely with art ways to make a lot of money directors and creative directors to produce creative collaborations based loosely ways to make a lot of money on initial layouts presented to the clients. This can be an extremely stimulating process, depending on the chemistry between photographer and art director. Occasionally, I have to photographically reproduce a pretty strict layout. This is, from my point of view, the least satisfying and creative alternative. But don’t feel sorry for me – I’m not forced to take these jobs. I always do the very best professional work I can ways to make a lot of money do, have some fun, and am ultimately relieved and grateful that I can contribute ways to make a lot of money to another semester of my daughter’s college education!

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